May 21, 2024
What was he doing there? Though it turned out superb journalists and writers, the New York Post that Warren Hoge worked at in 1971 was a place filled with rough-edged people like me from blue-collar, borough, or striver backgrounds and more than a handful of oddball characters, all led by a Bogart-tough editor-in-chief. The City Room itself, located in a rundown building along West Street’s elevated highway viaducts, was exquisitely gritty, with its battered typewriters, spikes, pencils and carbon-copy writing “books.” This engaging seediness was especially true of the lobster shift—1AM to 8AM– that I was first assigned to as a rewrite man. Yet there was Warren, our night city editor, suave, cultured, urbane not urban, with the blueblood credentials to match–a Silk Stocking district upbringing with stops at Buckley School, Phillips Exeter, and Yale—and he was delighted to be there. Warren, who died on August 23 at the age of 82 at his home in Manhattan, reveled in the rough-and-tumble of deadline journalism as if this was real life and where he came from a fairy tale. But he was never haughty or condescending. He traded New York and Washington gossip with the best of us, graciously bemused at times but not dismissive. He was a cunning observer. If memory serves, he explained Dolly Schiff’s clinging to a money-losing Post because she didn’t want to wind up as just another “old lady on the Upper East Side with a small dog.” I remember, too, how he hired Joyce Wadler as a reporter. After first rejecting her, telling her that the Post needed to hire more minority reporters, he swiveled after she responded with a letter peppered with mock Spanish phrases claiming she had discovered that she was an adopted Puerto Rican. “So, White Boy, if you’d like to discuss this development over a plate of rice and beans, call me,” she said. Warren not only got a good chuckle out of the letter but was grateful for having struck a goldmine of edgy humor. Of course, he had a different man-about-town life outside the Post, squiring movie and journalistic stars like Sally Quinn and Candice Bergen. More than a few of us wished we went through life with his grace and joie de vivre. And, damn it, he was movie star-handsome as well. When he made it over to the Times in 1976 the place seemed a more appropriate fit, even though Abe Rosenthal, Arthur Gelb and many other editors and reporters had the same proletarian pedigree as those at the Post. Warren’s talent as a journalist snared him assignments in Rio de Janeiro and London (in his career he reported from more than 80 countries) and titles at the Times of foreign editor, Sunday magazine editor and assistant managing editor. But whatever his job, Warren savored the tightly managed frenzy of putting out a paper every day. Warren was as graceful, sophisticated a writer as he was a person. His magazine profile of Cary Grant, a fortuitous match of writer and subject, stands out in my mind for its revealing, lilting portrait of the icon of debonair charm. A line Warren elicited from Grant when Warren asked him how he viewed death still resonates: ”You know, when I was young, I thought they’d have the thing licked by the time I got to this age.” He also issued tender profiles of the residents of the hillside favelas, beleaguered by violence and poverty, and of ordinary Brits mourning the improbable death of Princess Diana. And he was a sensitive, appreciative manager, as countless responses to his death made clear. Warren was a longtime and avid Silurian and it was at one of our dinners a little more than a year ago that Warren, pale, shockingly thin and walking with a cane, told me, “I’ve been thrown a curve”—a diagnosis of pancreatic cancer. But Warren did not hide his illness, showing up at events like the Silurians’ awards dinner last June in a wheelchair, aided by his wife Olivia at his side, and enjoying the camaraderie even as he knew it would not be long before he would, as he put it, be “leaving.” Warren was born April 13, 1941 in Manhattan, the son of a trademark lawyer with ancestral roots among the early colonizers of Virginia. His mother was a socially prominent patron of opera and classical music and Warren had a lifelong passion for choirs and opera. A stint as a reporter for the old Washington Star led to a Washington bureau chief appointment at the New York Post. In 1970 he moved to New York as city editor and later was elevated to assistant managing editor. The Times hired him in 1976 as a reporter and within a year he was named deputy metropolitan editor. After three years in New York, he was posted to Rio de Janeiro, where he married Olivia Larisch, the daughter of a Spanish count and countess. They had a son, Nicholas, who survives him, along with Olivia; two stepdaughters, Christina Villax and Tatjana Leimer; his brother, James, who served as a publisher if the Chicago Sun-Times and the New York Daily News ; his sister Virginia Verwaal; and six step-grandchildren. His other sister, Barbara Hoge Daine, died in 2001. A fitting epitaph for Warren might be an adaption of a line he used in his evocative 1977 profile of Cary Grant. “The newspaper world that created Warren Hoge is now the stuff of sepia photographs. Warren, however, still radiates in living color. ” —Joe Berger For the NY Times obituary of Warren, click here (paywall).